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1969
AND OTHER POEMS
If,
as they say, to know of life one must
first understand the beating of the human heart, the Fred
Byrnes is the best damn cardiologist I've ever met and a hell of a poet.
Matt Rodman, founder of Podium
Fred
Byrnes Byrnes’
subject is frequently the suburbia we deny exists. His direct language and
rhythms affirm the humble dignity of the disenfranchised and skewer the
hypocritical. These
poems will make you laugh at our idiosyncrasies and mourn our stupidity.
Dan Giancola, author of The
Window Washer and Other Work Poems Reading
a Fred Byrnes poem is like taking a walk in a neighborhood where people are
known inside and out, where streets go back and forward in time. The
beat—mimetic as heartbreak—meters lines as raw as sad reality.
Graham
Everett, founder of Street Press
Fred
Byrnes is an American Original.
A
gifted poet and fiction writer—like Brautigan and Jack Kerouac he admires in
his poetry—Fred’s not afraid to ”put it to paper” and thus, he is one
true voice for us all. David Axelrod, ABOUT
THE AUTHOR
While at Dowling, Byrnes taught creative writing at the
PREFACE to the book by
George Wallace
If Freddy Byrnes were your average ‘Peri-Millennial’ poet, sensitive
and inquisitive and well- schooled in the art of New Age self-explication, this
might have been a book steeped in the incense of Taoist thinking, offering a
series of reflective poems that explore the harmonic yin-yang balance of light
and dark, life and death, good and evil.
I do not know whether Freddy ever studied Eastern philosophy. But I do
know he is a man who has lived much, suffered innocently, and survived. A man
who knows darkness from the light.
A simple and personal tragedy defies easy explaining. Oh gift of flowers
from an orphaned child of the American dream! Instead of a yin-yang balance, in
this collection of poems we are confronted with a glimpse at the fulcrum of
life’s bad fortunes, as one man has experienced them.
On one side of the fulcrum lies heroism, goodness, opportunity, grace and
love. Wine goes down easy, women are virginal and ripe, friends are not yet
bitter and secret rivals. The nation lifts up its golden light to a young
man’s forebearers. Heroes do not have feet of clay.
On the other side of the fulcrum? The brick rubble of demolished hope, a
landslide of bruises and irredeemable disillusionment. Who among us does not
have a teen angel inside us, clinging to the school ring on the railroad track?
Who among us? The simple and awful facts of that fateful moment when the freight
train struck, when the car went over the cliff, when our parents let us down.
When our buddies turned against us or when the object of our innocent affection
proved false.
Who among us, playing and replaying that scene in our heads? That moment
just before that fateful moment, when everything was right and glorious in the
world. The unsuspecting moment just before the wrecking ball struck?
And the way the world was to us, after the fall? Whether we are one of
those who have suffered, or one of those capable of empathy for those that have,
we are confronted in these poems, as in the breadth of writings by Fred Byrnes,
with a perplexed fellow, his big hands in his small pockets, undramatically
broken, asking us to listen for just a moment to his story.
In doing so, Fred Byrnes offers us no Jude
the Obscure, no Bukowski wannabe. More Rocky Marciano than Charley Chaplin,
this is the voice of the bruised, bloodied prizefighter—beaten by the game;
hobbled by war, injustice and bad knees. The voice of a man puzzling through the
women gone bad, the fake diamonds, the lost heroes, the false tips, and the
shallow lovers, superficial friends and irrevocably truncated dreams which haunt
him.
In a sense, by accepting the challenge of reading Fred Byrnes’ poems,
we are offered a man who is at a loss to explain what has happened, yet is
compelled to try. Even after all these years, like a traffic victim poking
through the wreckage in search of his lost car keys. And we are compelled to
listen.
Who reads this book is witness to the plain tragedy of a life—as
experienced by an ordinary man, with an extraordinary gift for retelling it.
Fortunately for the reader, this is the voice of a man who is articulate enough
to command our attention, and who possesses sufficient humility to enjoin us to
be witness to his life’s traumas without our pulling away from that
enjoinment.
The gift of plain speech still means something in
George Wallace
Suffolk County's first Poet Laureate
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