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Dr. David B. Axelrod



All materials Copyright (C) 2003-2008 Dr. David B. Axelrod

 

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A Sampler of Poems by David B. Axelrod

 WATCHING YOU

 I spent till sunrise

watching you, your

restless breaths,

your high-boned face,

your nakedness

defined in blue-gray

light of quarter moon.

You sighed and turned

and still I stared,

the thick curled knot

of jet-black hair

tied up to bare

a soft, strong neck,

supple shoulders,

the outline

of small breasts.

 

Until you turned

again toward me,

eyes flickering

in half-surprise.

I spent till sunrise

watching you,

protector of your

dreams and sighs.

 

THE VANDAL

 He creeps to the edge of the hedges

on the darkest night, his beebee gun

beneath a surplus army jacket.

This is where he went to school.

He's older now and knows the rules

and how to break them.  Raising

the polished butt beside his chin

he fires, pointing at the room

where he was kept--one quick

report of well-pumped air

and runs for it.  The pellet

punctures 3/8ths inch glass,

a burst of silver petals through

the other side, one violent glass

flower for the teacher.

 

THE SLAUGHTER

Rain's gentle revolver riddles our sleep.

Wet tongue of lightening,

dark growl of thunder,

bullets through our dreams.

A hand to find a crease of flesh,

unconscious fingers probing,

a skinning that starts with a slit.

And no one minds the trembling limbs

as the hide is peeled.  Some are born

for love, others for the slaughter.

 

Penitent rain.  Cleansing rain.

Sorry rain.  Satiating rain.

All these things we do that lovers do:

begging you, licking you,

bathed in tears, chilling fears.

Wake with a rapping at the window,

an arm in a clinch around you.

Tonight there'll be no recriminations.

Only the soft spatter of water

as the flesh is trimmed from the bone.

 

ONCE IN A WHILE A PROTEST POEM

Over and over again the papers print

the dried out tit of an African woman

holding her starving child.  Over

and over, cropping it each time to one

prominent, withered tit, the feeble

infant face.  Over and over to toughen

us, teach us to ignore the foam turned

dusty powder on the infant’s lips,

the mother’s sunken face (is cropped)

and filthy dress.  The tit remains;

the tit held out for everyone to see,

reminding us only that we are not so hungry

ogling the tit, admiring it and in our

living rooms, making it a symbol of starving

millions; our sympathy as real as silicone.

 

HEROICS

(For a 16-year-old amputee.)

After he'd stolen fire

the Gods chained him

to a rock, tore him apart.

And Roddy, after he'd

made his leap toward light,

touched the high voltage transformer,

his hands, his mother explained

"Were like this."  She made two

welded fists, "Two chunks

of charcoal, and his arms . . . "

They had to cut them off.

 

A month they kept him chained

in sleep until, still on a respirator,

he awoke.  "Why can't they

put them back?" he asked.

 

The day nurse pecked

at the charred skin

where his coat and shirt

burned off inside the fence

where no one dared to help him.

 

"At this point," his mother says,

"it hasn't gotten any easier."

And the Godsit's never

mentioned whether once

they bound him to the rock,

once the bird beak began,

they simply left

or stayed to watch him.

 

FOR GAIL, WHO CALLED HERSELF "CHARLIE"

You say you are an exotic

dancer, brag how good you are,

rubbing yourself against

the wooden rails that separate

your bright spot of stage

from the small Formica

tabletops where guys

mostly in their twenties

chug beers and cheer you on.

"I tease them, let them

tuck 5's and 10's in my

G-string.  If  I go bottom-

less, I get them good

and hot.  That's when

I really get a lot.

I drive them wild;"

your shoulders stiffening

as you talk, your jaw

thrust forward like an

angry child.  "Come down

and watch me." Your eyes

dance in a sideward glance;

the open buttons of your

baggy shirt an invitation.

And now there is no chance

to see you on the circuit,

your hips pumping frustration

into every bastard

in the bar.  Your long

brown hair, that whipped

you as you whirled,

is stilled.  Your try-

to-catch-me eyes are

closed; your half-smile,

a tight-lipped, eternal

grimace.  OD-ed at 21.

How far away from everyone

you've danced, as if death

alone could be exotic.

 

 

Copyright (c)  2003-2008 Dr. David B. Axelrod
For problems or questions regarding this web contact axelrodthepoet@yahoo.com
Last updated: August 11, 2008.