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ENG 131, CREATIVE WRITING
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TO READ A LARGE SELECTION OF DR. AXELROD'S WORK, GO TO: TO ORDER BOOKS BY DAVID B. AXELROD go to http://www.writersunlimited.org/LIPS.htm
A Sampler of Poems by David B. Axelrodwatching
you, your restless
breaths, your
high-boned face, your
nakedness defined
in blue-gray light
of quarter moon. You
sighed and turned and
still I stared, the
thick curled knot of
jet-black hair tied
up to bare a
soft, strong neck, supple
shoulders, the
outline of
small breasts. Until
you turned again
toward me, eyes
flickering in
half-surprise. I
spent till sunrise watching
you, protector
of your dreams
and sighs. THE VANDAL on
the darkest night, his beebee gun beneath
a surplus army jacket. This
is where he went to school. He's
older now and knows the rules and
how to break them. Raising the
polished butt beside his chin he
fires, pointing at the room where
he was kept--one quick report
of well-pumped air— and
runs for it. The pellet punctures
3/8ths inch glass, a
burst of silver petals through the
other side, one violent glass flower
for the teacher.
THE SLAUGHTER Rain's
gentle revolver riddles our sleep. Wet
tongue of lightening, dark
growl of thunder, bullets
through our dreams. A
hand to find a crease of flesh, unconscious
fingers probing, a
skinning that starts with a slit. And
no one minds the trembling limbs as
the hide is peeled. Some are born for
love, others for the slaughter. Penitent
rain. Cleansing rain. Sorry
rain. Satiating rain. All
these things we do that lovers do: begging
you, licking you, bathed
in tears, chilling fears. Wake
with a rapping at the window, an
arm in a clinch around you. Tonight
there'll be no recriminations. Only
the soft spatter of water as
the flesh is trimmed from the bone.
ONCE IN A WHILE A PROTEST POEM Over and over again the papers print the dried out tit of an African woman holding her starving child. Over and over, cropping it each time to one prominent, withered tit, the feeble infant face. Over and over to toughen us, teach us to ignore the foam turned dusty powder on the infant’s lips, the mother’s sunken face (is cropped) and filthy dress. The tit remains; the tit held out for everyone to see, reminding us only that we are not so hungry ogling the tit, admiring it and in our living rooms, making it a symbol of starving millions; our sympathy as real as silicone.
HEROICS (For a 16-year-old amputee.) After
he'd stolen fire the
Gods chained him to
a rock, tore him apart. And
Roddy, after he'd made
his leap toward light, touched
the high voltage transformer, his
hands, his mother explained "Were
like this." She made two welded
fists, "Two chunks of
charcoal, and his arms . . . " They
had to cut them off.
A
month they kept him chained in
sleep until, still on a respirator, he
awoke. "Why can't they put
them back?" he asked. The
day nurse pecked at
the charred skin where
his coat and shirt burned
off inside the fence where
no one dared to help him. "At
this point," his mother says, "it
hasn't gotten any easier." And
the Gods—it's never mentioned
whether once they
bound him to the rock, once
the bird beak began, they
simply left or
stayed to watch him. FOR GAIL, WHO CALLED HERSELF "CHARLIE" You
say you are an exotic dancer,
brag how good you are, rubbing
yourself against the
wooden rails that separate your
bright spot of stage from
the small Formica tabletops
where guys mostly
in their twenties chug
beers and cheer you on. "I
tease them, let them tuck
5's and 10's in my G-string.
If I go bottom- less,
I get them good and
hot. That's when I
really get a lot. I
drive them wild;" your
shoulders stiffening as
you talk, your jaw thrust
forward like an angry
child. "Come down and
watch me." Your eyes dance
in a sideward glance; the
open buttons of your baggy
shirt an invitation. And
now there is no chance to
see you on the circuit, your
hips pumping frustration into
every bastard in
the bar. Your long brown
hair, that whipped you
as you whirled, is
stilled. Your try- to-catch-me
eyes are closed;
your half-smile, a
tight-lipped, eternal grimace.
OD-ed at 21. How
far away from everyone you've
danced, as if death alone
could be exotic. |
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Copyright (c) 2003-2008 Dr. David B. Axelrod
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